May 29, 2025 July 13, 2025

In Case of Emergency

In his exhibition cycle In Case of Emergency, Mor Afgin reinterprets religious and historical artifacts and symbols. He weaves ancient legends into our contemporary world—one driven by technology and capital—where biblical myths and scientific rationality coexist. Afgin places particular focus on the growing spread of religiously motivated speculation and its influence on political history.

Our present is permeated by apocalyptic conspiracy theories. Mor Afgin carefully analyzes their origins and impact, questioning how far such ideas—positioned somewhere between theology, alternative archaeology, and historiography—can truly extend their reach and influence.

Like objects in a museum display, the artifacts are meticulously arranged—visible yet inaccessible—on one of Hamburg’s busiest streets. They reflect the past or serve as warnings of the future. The exhibition space itself evokes the image of a modern Noah’s Ark: a symbolic vessel preserving species, knowledge, and belief. It becomes a metaphor for judgment, survival, and renewal, deeply rooted in biblical narrative.

Impulse question:  How do we preserve life if the apocalypse comes?

Arc2025

Ready-made life-saving raft

Arc artwork

Mor Afgin, Arc, installation view, HFBK Boutique, 2025

Inside the display case, an inflated rescue lifeboat is mounted on the wall, flanked by two solar panels. The boat is non-functional – caught in an in-between state, inflated yet immobilized, fully prepared but unable to act. Solar panels, paired with the boat, suggest the minimal toolkit for autonomous survival. One tool speaks to immediate rescue, the other to long-term endurance – a preservation of life, and of life’s data: genetic codes, survival instructions, technological solutions.

Impulse question:  Is the sky still nature if it’s mapped, scanned, and weaponized?

Eclipse2025

Two solar panels, two screens

Eclipse artwork

Mor Afgin, Eclipse, installation view, HFBK Boutique, 2025

Installed in the same formation as the solar panels, two TV screens extend the visual symmetry, suggesting a connection between energy, information, and control. They display footage of the sky, where drones, UAVs, and birds trace overlapping trajectories. The same sky that powers the solar panels is now crowded with instruments of surveillance and destruction – transformed into a militarized space where the artificial supplants natural.

Impulse question:  Could relics from the past still hold answers for the future?

Kuh / Heifer2025

3D printed panels

Kuh / Heifer artwork

Mor Afgin, Heifer, installtion view HFBK Boutique, 2025

Two sculptural reliefs explore the myth of the Red Heifer – a rare, ritually pure cow whose sacrifice, according to biblical prophecy, signals the apocalypse. The artist entangles ancient myth with modern geopolitics and warfare technologies, carving a new iconography of the foretold end of the world into black and red plastic – a collision of timelines linking past histories with our gaze toward an unknown future.