In the nervous hustle and bustle of the city, a group of artists has occupied this space on the border between inside and outside, between contemplation and consumption. The exhibited sculptures are located in this in-between space: between productivity and exhaustion, between effort and loss. At first glance absent, the body is accommodated in the interstices of these forms, for example through the movement of passers-by appearing on a reflective surface, or through the portrait of a man who was almost denied entry into history. There are objects whose function has been erased, which have become containers of an obsolete use: a hollowed-out computer, warm ice packs, prostheses on radiators or mechanisms and motors that are self-sustaining. These objects, both in conflict with and adapting to space, have proudly abandoned their commercial gloss and instead shine in their precariousness.
